Wednesday, December 30, 2015

Week of 28 December 2015

29 December 2015
          While working on back-list restorations today, I started new engravings for Robert Manookin’s choral setting of Beautiful Savior. It hasn't sold well, but it is an important part of his history, and I have decided not to let it go to “download only”. He wrote the arrangement in response to an invitation from Jerold Ottley and the Mormon Tabernacle Choir in the 1980s. It is chromatic and a bit challenging to the ear—probably one of the first in that series. He mellowed greatly later on—calling the process ”repentance.”

Wednesday, October 31, 2012

Current Needs

Jackman Music Corporation
2015 Manuscript Submission Schedule

Deadline: January 12, 2015
1.           Hymn Arrangement - Meditation
2.           Hymn Arrangement - SAB
3.           Hymn Arrangement - SSA
4.          Hymn Medley - SAB
5.          Hymn Opener - SATB (Stake Conference)
6.           Original Sacred - 2 Part
7.           Original Sacred - SAB
8.           Original Sacred - SATB
9.           Original Sacred (Women's Chorus)
10.       Original Sacred  (Men's Chorus)

Deadline: April 12, 2015
11.       Christmas Cantata - 25 minutes in length
12.       Christmas Carol Arrangement - SAB
13.       Christmas Carol Arrangement - SAB
14.       Christmas Carol Arrangement - SSA
15.       Christmas Carol Medley
16.       Christmas Opener - SATB
17.       Christmas Original - SA
18.       Christmas Original - SAB
19.       Christmas Original - SATB
20.       Christmas Original - SATB
21.       Thanksgiving Meditation - SAB
22.       Thanksgiving Opener - SATB
23.       Christmas Original or Arrangement (Men's Chorus)

Deadline: June 12, 2015
24.       R.S. Birthday Celebration - SSA
25.       Stake Conference - Faith, Scripture based, Prayer, Trust

Deadline: October 5, 2015
26.           Easter Medley (or Hymn Arrangement)
27.           Easter Opener (Resurrection)
28.           Father's Day - Family Proclamation - Children Songbook
29.           Mother's Day - Family Proclamation - Children Songbook
30.           Original Easter  (Meditation)

Deadline: December 15, 2015
31.           Patriotic (use in Sacrament Meeting)
32.           Pioneer (use in Sacrament Meeting)
33.           Sacred Song Arrangement
34.           Temple piece
35.           Testimony piece (like "This Is the Christ")
36.      Young Women Theme 2014 - SA


Wednesday, January 18, 2012

Determining Availability

I received a letter from my good friend, Rickey Shirley about use of a specific hymn in an arrangement which he submitted for publishing. Here is clarification which I hope it will be useful  to all arrangers:
Jerry Jackman

  Rickey,
  One clarification—be cautious when using the
  creation date of a piece as a determination as to
  its availability. That has only an indirect impact on the issue. 
  A composer would have had to be no older than 19 when
  he died in order for his piece, created in 1923 to
  be available now. You see, it is his DEATH date that
  determines when a piece passes into Public Domain,
  not when the piece was written or
  published. Otherwise, he could be 89 years old
  today, and the seventy years protection of his work
  would still not have kicked in.
  The only possible further consideration is when
  his piece was copyrighted in or before
  1927—that copyright renewed in 1956, and finally
  expired and passed into Public Domain in 1984.
  The next year, 1985, the new
  copyright law went into effect and extended
  protection to the later issues of writer's entire lifetime,
  PLUS seventy years.
  I publish the works of people now who were born
  before 1923, who are STILL living.
  Remember that the copyright now extends for a long,
  long time, and only if the writer has been DEAD,
  now, since before 1942 can we consider using their
  work at all—well, at least without permission.
  Fun stuff, isn't it?—Research, I mean.
  Jerry

Monday, June 27, 2011

General needs












The bottom line way we look
at submissions:



1)  Do we need a piece for a ChoralClub obligation?


2)  Does it fill a niche for our demo recording?
3)  Has it been arranged before?
4)  Is it unusually distinctive?
5)  Is it needed for General Conference or some other
      large event?

Here are specific needs we have at the moment:

JACKMAN MUSIC CORPORATION
Choral Music Manuscript Needs for 2012





1.              Christmas Cantata (like Christmas: A Carol Cantata)
2.              Essential Ward Choir, Vol. 1 - SATB - Arr. Brent Jorgensen
3.              It Came upon the Midnight Clear - SATB - Arr. Carson Orme
3a.     Wexford Carol  SATB Smith
4.              Christmas Carol Arrangement - SSA
5.              Christmas Carol Medley
6.              Christmas Opener - SATB
7.              Christmas Original - SA
8.              Christmas Original - SAB
9.              Hear the Angels Sing - SATB, flt, piano - Kristen Allred
10.           Christmas Original - SATB
11.           Christmas Original or Arrangement - TTBB
12.           Original Easter Meditation
13.           Easter Opener
14.           Father's Day - Family Proclamation - Children Songbook
15.           Hymn Arrangement - Meditation
16.           I'll Go Where You Want Me to Go - SAB - Kristen Allred
17.           My Heavenly Father Loves Me - All Things Bright and Beautiful - SATB - Arr. Douglas Pew
18.           Jesus Savior Pilot Me - Jesus, Thou Who Wearest a Crown - SATB - Arr. Douglas Pew
19.           Hymn Opener - SATB (Stake Conference)
20.           Mother's Day - Family Proclamation - Children Songbook
21.           Original Easter ("The Gardens") - Meditation
22.           Original Sacred - SA
23.           Original Sacred - SAB
24.           Original Sacred - SATB
25.           Original Sacred - SSA
26.           All Creatures of Our God and King - TTBB, org - James C. Kasen
27.           Oh, Beautiful for Spacious Skies / Onward Christian Soldiers
               SATB - Arr. Jackie Frost Halversen
28.           Pioneer (Heritage)
29.           R.S. Birthday Celebration - SSA
30.           Sacred Song Choral Arr. (Like, but not O Divine Redeemer)*
31.           Stake Conference - Faith, Scripture based, Prayer, Trust
32.           Temple piece
33.           Testimony piece (like "This Is the Christ")
34.           Missionary Work Piece
35.           Thanksgiving Opener
36.           Thanksgiving: Because I Have Been Given Much/For the Beauty
               SATB - Arr. Jackie Frost Halversen
37.           Young Women Theme - SA  Standards)

* Check catalog listing for duplications. Submissions must be original, free from copyright restrictions, or Public Domain (i.e. a hymn written by someone dead for at least 70 years.)

Wednesday, February 23, 2011

Current Production List

JACKMAN MUSIC CORPORATION
Summer Choral Production List
as of 28 July 2015




JAN 2015
___ #01507  What Is This Thing That Men Call Death?  Hinckley & Perry
___ #01656  He Watching Over Israel - Mendelssohn/Jackman
___ #01454  Glory to God on High - SATB - Steven Spiel

FEB 2015
___ #00719  Come unto Christ - Renae Eldridge - SSAATB
___ #01458  Nearer, Dear Savior to Thee - SATB - Arr. Ann Kapp Andersen
___ #01518  God Loved Us So He Sent - TTBB - Arr. McDavitt

MAR 2015     
___ #01379  The Advent of Emmanuel - Oratorio - by Rob Millett
___ #00460  Thine Own Way - SATB - by Rickey Shirley
___ #01484  If You Could Hie to Heaven - SATB - Arr. Gordon Jessop
___ #01762  Jesus in a Manger Came - SATB - Kristen Allred
___ #00986  Yes, My Native Land - SSAATTBB - Arr. James C. Kasen

APR 2015
___ #01139  American Hymn - SATB - Arr. Thomas L. Durham
___ #01572  The Savior's Smile - SATB - James K. McFerson
                         Donna & Michael Kleven
___ #01690  While Shepherds Watched - SAATTB - by S. Gordon Jessop
___ #01647  My Soul Delighteth In the Covenants - SA - Janice Kapp Perry

MAY 2015
___ #01695  Lift Up Your Voice and Sing - SA - Carson
___ #01693  Jesus the Very Thought of Thee - SB - Halversen
___ #01433  Midnight Clear - SATB - by Nathan Bigler
___ #00179  Weary Not—Come unto Jesus - SATB - Jorgensen  

JUNE/JULY 2015
___ #01697  The First Noel - SATB - by Nathan Bigler
___ #01721  Infant Holy, Infant Lowly - Eldridge
___ #01734  Thanksgiving Celebration SATB - Arr. Jorgensen
___ #01754  Missionary Medley - SSATBB - Chemain Evans
___ #00000  I Stand All Amazed - SSAATTBB - Arr. Ryan Murphy
___ #00000  Jesus Lover of My Soul - SATB - Arr. Steven Spiel

Friday, November 19, 2010

Academy of LDS Print Music

Friday, 19 November 2010

Christmas Postludes and Sussex Carol went to press today—also reprint orders for Jenny Oaks Baker's Violin Collection No. 1 plus some some chorals. The pressure is easing somewhat in Editorial. I only have one more Christmas choral to get out for the demo—Gordon Jessop's While Shepherds Watched Their Flocks—and I am half finished with that. I have a dozen non-Christmas items to get to print. I am also developing a new small choral assortment for Easter.

We met with a dozen composers Tuesday night at Goodwoods Barbecue Co. at the University Mall to visit and networfk over dinner. It was a nice evening with Chemain Evans, Jan Underwood Pinborough, Penelope Moody Allen, Amy Baugh Hansen, C. C. Cole Edwards, Peggy Pearson, Janice Kapp Perry, Marden Pond, Brent Jorgensen, Clark Edwards, and others—a good time to review new works and to catch up witb with these influential writers’ lives.

We discussed forming an Academy of LDS Print Music which would be a means of recognizing outstanding contributions to our industry.

Sunday, August 8, 2010

On the Line

Sunday, 8 August 2010

In the Orem Canyon View 6th Ward today, Bishop Mella and Adam Millington sang Rachel Goates' "Teach Me to Walk / Love Is Spoken Here" medley. Though this piece is a two part CHOIR number, it worked extremely well as a duet. I was surprised by its emotional impact.

Tuesday, March 30, 2010

Writing Arrangements

31 March 2010
I received a letter today which I think will be useful for LDS composers:





From Timothy Johnson:
     Aloha Jerry,
    I've studied music composition for the past several years and regularly arrange for choir, solo voice, string solos and orchestra. My works are performed regularly for BYUH Devotionals and my pieces have been performed all over the world by BYU Choirs.
     If I was to submit some music to Jackman what sort of pieces are most likely to be considered for publication?
     Mahalo,
     Timothy Max Johnson
--
Dear Mr. Johnson,




     Our business is very much time-oriented. It requires a constant flow of new material and we publish many new works a week—mostly choral.
     Today, I need a simple, thoughtful, original piece for ward choir to complete our March ChoralClub offering. If I find something appropriate, it will be at the printer by tonight.
     I have viewed your compositions (great idea, by the way, sending us YouTube links). These are very good arrangements, but they don't come across as being new. Each of the first two hymns have been arranged so many times. We have many editions of each. We are not going to accept another setting except that it be viciously distinct and different. This means that it has over 50% new and original MELODY content. Think of Bach's "Jesu Joy..." as an example of a vicious new melodic approach to hymn arranging. The arrangement itself is more familiar than the chorale tune it is based on. Excellent modern works in this category are Mack Wilberg's "Lead, Kindly Light" and A. Laurence Lyon's "True to the Faith".
     Another way to get in is to offer excellent arrangements which are TIMELY. We don't have a new Father's Day piece yet, for example, which we need tomorrow. We also need tidy little pieces for ward choir with piano accompaniment for Summer—Pioneer, Patriotic themes (for the vacation choir—limited numbers—nothing more dense than S.A.B.) We don't need works containing organ at the moment and we are swamped with instrumental projects.

JACKMAN MUSIC CORPORATION
Jerry R. Jackman
Senior Editor / CEO

Saturday, December 19, 2009

What we are learning

Saturday, 20 December 2009

Our annual sale just completed. The valuable part about having sale like this is that we get to see the realities. We can observe in a concentrated time which of our publications are useful and which are vain expressions of fitful fantasy.

We are facing a new year now. We still need easy pieces which are beautiful. By easy, I mean, start with unison. Add a harmony line as a change of pace, and divide to four voices, possibly, just at cadences. Texts must be expressed in the first person, i.e. like "I Need Thee Every Hour", "Abide with Me", "Because I Have Been Given Much". These hymn texts are not classic by accident.

Thursday, June 4, 2009

4 June 2009

Carole and I were in Nassau, Bahamas on vacation last week, and happened to meet the Nassau branch choir director, Luicito Bazard while we were there. It interesting to compare his experience building a choir with ours. Most of the choir members have not been trained to read music. He spends time teaching parts by rote. Members often move away to school, get married, and never return. It's a constant process. He needs worthy music which can be performed by untrained voices.

Carole and I came home more dedicated to publishing accessible music constructed to the highest quality standards of art and music. We believe it will happen as we educate and become more attuned spiritually. We must take caution not to be influenced by pride and tradition.

Tuesday, April 28, 2009

Submission

Monday, 29 July 2015

Submitting work to Jackman Music Corporation

Manuscripts may be submitted any of in three ways:
1. email  your work formatted: Sibelius 6 or earlier, Finale 2010 or earlier, or .pdf to jackmanmc@aol.com. (Sibelius is our preference.)
2. Fax your manuscript to (801) 225-0851
3. Send a recording—mp3, or CD
4. Mail a paper copy of your work (with an SASE for return) to:

Editorial Board
JACKMAN MUSIC CORPORATION
P.O. Box 1900
Orem UT 84059-1900  USA

Points to remember
1. You are responsible to have cleared rights for any outside copyright use.
2. Contact us before arranging any hymn. More arrangements of "Come Come Ye Saints", "Oh How Lovely Was the Morning", and many others are no longer needed.
3. Check the posting "Current Needs" for specifics.

Seasons
When to Submit:

DEADLINES
Christmas music (the Baby's birth) - April 21
Piano solo books and sheet music - February 1
Easter (Resurrection) - October 1
Instrumental solos and ensembles - all year

Hints
1.  Lyric written in the first person is far more powerful than in sermon style. For example, rather than “Go ye forth...”, use “I will go forth...”.  Rather than “Harken and obey...” use “I will obey...”; etc.
2.  An hymn arrangement whose distinction lies only in its voicing, key changes, accompaniment texture, etc., is not perceived by the public as being original. It must contain at least 50% ORIGINAL MELODY. Consider J. S. Bach's hymn arrangement Jesu, Joy of Man's Desiring as an example. No one remembers the hymn tune. It is Bach's flowing melodic setting which instills life in this arrangement—still recorded over and over after 286 years.

Jackman Music Corporation's mission is to the Ward Choir and families. Choral works should be SAB, SATB, SSA, or TTBB, with warm and rich rather than austere harmony. Ward Choir budgets are woefully small. They must consider carefully how they spend their funds. Consider what your ward choir is actually singing. A Psalm setting for example, though worthy, is not usually practical. 

Have your choir rehearse and perform each work you write. You will soon see the realities of choir music in the Church. Write for the simplest of Saints using your most worthy art. Please refrain from writing commandments and sermons. Instead, give us music that quiets the heart, that comforts, that inspires us to repent and change our lives. Write about the Savior and his teachings. Tell us how you feel about Him in your music.

Sunday, December 21, 2008

New works needed

Thursday, 4 June 2009

The Mormon Tabernacle Choir recently presented Children of the Heavenly Father (probably arranged by Mack Wilberg). This is the type and style of the music we are looking to publish. It uses a portion of the hymn melody or an original melody as a motif which is developed and over which the simple hymn is presented. Even more powerful is an original melody set against the hymn tune and developed from beginning to the end (See Wilberg's arrangement of Lead Kindly Light).